He Was A Visitor
He Was A Visitor began as a joint project between Baltimore performing musicians and visual artists from the Maryland Institute College of Art. ANALOG arts ensemble will present a program of selections from Stockhausen's From the Seven Days, Rudolf Kämper's Pulsating Stars Enable New Precise Determination of the Rotation of the Milky Way, as well as an audience participation version of Robert Ashley's She Was A Visitor. Visual artist Cody Griffith is our visitor in the ensemble. He will be working from the same descriptive score as the musicians to create an intuitive realization, not as an accompaniment but as another member of the ensemble.
Below is a short interview with the visual artist...
Cody: As someone who does not play an instrument, I will perform with visual media, keeping in my that my pen will be my instrument. It is difficult to translate Stockhausen's concepts into a language of imagery. Many questions have to be asked concerning the stability of this idea. I have practiced intuitive drawing before and will try to remain true to Stockhausen's ideas.
Dolf: Normally, when visual artists and musicians collaborate, an animator is given a tape and asked to interpret what they hear - or, a composer is given an existing film and asked to find music the compliment what they see. This time, you and the musicians are working from the same score. What are some of the ways you would interpret the score that are different than the musicians?
Cody: As a visual artist, upon hearing music, I create imagery in my mind. These images often begin in an abstract form and then move into the figurative.
Dolf: Have you been involved in improvised or intuitive drawing before? How about drawing/painting in public performance?
Cody: Warren Linn, a professor at Maryland Institute College of Art, worked with me on improvised drawing for years, whether it be from sound or a visual journalism. I have also done portrait work at community art festivals and painted public murals.
Dolf: You are also presenting some film for one of the pieces. What was your thought process in coming up with the material for that piece?
Cody: I look at Stan Brakhage a lot. I tried to focus on the silence and chaos of nature.
He Was A Visitor will be presented at Normal's Books as part of the RedRoom series, March 14, 8:30pm. See www.redroom.org for more info.
Below is a short interview with the visual artist...
Cody: As someone who does not play an instrument, I will perform with visual media, keeping in my that my pen will be my instrument. It is difficult to translate Stockhausen's concepts into a language of imagery. Many questions have to be asked concerning the stability of this idea. I have practiced intuitive drawing before and will try to remain true to Stockhausen's ideas.
Dolf: Normally, when visual artists and musicians collaborate, an animator is given a tape and asked to interpret what they hear - or, a composer is given an existing film and asked to find music the compliment what they see. This time, you and the musicians are working from the same score. What are some of the ways you would interpret the score that are different than the musicians?
Cody: As a visual artist, upon hearing music, I create imagery in my mind. These images often begin in an abstract form and then move into the figurative.
Dolf: Have you been involved in improvised or intuitive drawing before? How about drawing/painting in public performance?
Cody: Warren Linn, a professor at Maryland Institute College of Art, worked with me on improvised drawing for years, whether it be from sound or a visual journalism. I have also done portrait work at community art festivals and painted public murals.
Dolf: You are also presenting some film for one of the pieces. What was your thought process in coming up with the material for that piece?
Cody: I look at Stan Brakhage a lot. I tried to focus on the silence and chaos of nature.
He Was A Visitor will be presented at Normal's Books as part of the RedRoom series, March 14, 8:30pm. See www.redroom.org for more info.
Labels: Baltimore, Baltimore Symphony Orchestra, dolf, dolf kamper, Karlheinz Stockhausen, Pulsating Stars Enable New Precise Determination of the Rotation of the Milky Way, Robert Ashley
1 Comments:
Sounds super cool. Some day I really have to get in the loop with all of the Analog shows.
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